To sell this bass is super soft Gs. (stick model is not cheap by top of the range copies )signed and numbered by the devil himself ! This bass is in very good condition. Barely ever played. Even a protective film on the back plate and truss rod covers !!!!!
Re difficult to find another bass Punisher cleaning and Co to the hard shell case included. The case has some wear , as it has been used with another punisher for a while, but it serves. Also, the bass has mint. https://www. youtube. com/watch?v=KsADgYwoScY
If you plat all m Possible questions before bidding and thanks for looking. If LoBue k might have As a long and complicated history, the history of Spector’s earned Sherlock Holmes. According to Gene, he met Stuart Spector, then only an upstart luthier development of a small shop in Brooklyn, w During the sessions Destroyer. I was just a guy named Stuart Spector build me one with a lengthier neck. The K Body is completely original, but based on the concept of an old Gibson Melody Maker. It has a double horn, small kitchens body, with DiMarzio pickups. “[*] The shape of the bass was very original, in fact, that it Onnée custom, but it was not an original design. If Spector had only two bass guitars, the model, the SB-1 and SB-2. They had fa both have the same reper form and the number is the number of microphones respectively. According to the website Spector “Gene Simmons of Kiss mega-group the commissioned several Brooklyn Era SB-1 Bass Stuart in the late 1970s, some of the changes a special gloss black paint with white binding on em c sides of the K rpers. Stuart shaved shoot normally en bulbous H Rn the SB-1 in the points. ”
I call Spector # 1 (although in reality two bass) makes his debut for the Love Gun tour on our first night in Halifax. This version MK I is that Standard SB-1 contr Them with Volume RKE And tone controls (both silver) and a front output terminal (missing, Mini-switch, the default is was on the SB-1). However, without the financial support, their organizing efforts would have been limited only to their academic writer single comuna and their sphere of influence would be much more limited. Bass (es) were gl Nzend black with white and he order one A Lot Of very much on the back, where the arrival of the K rpers meets the unfinished neck (see below).